Dante's Lyric Poetry: Poems of Youth and of the 'Vita Nuova' University of Toronto Press, 2014. Pp. 344. Revised and expanded translation of Rime giovanili e della 'Vita Nuova'.

Dante, Rime giovanili e della “Vita Nuova”.  Cura, saggio introduttivo e cappelli introduttivi alle rime di Teodolinda Barolini, Note di Manuele Gragnolati. Biblioteca Universale Rizzoli (BUR).  Milano: Rizzoli, 2009.  Pp. 550.

Dante and the Origins of Italian Literary Culture. New York: Fordham University Press, 2006. Pp. 475.

Winner of the 2007 Premio Flaiano in italianistica 

Review in June 2007 Issue of CHOICE

Review in Renaissance Quarterly Vol. LX, Number 3, Fall 2007

Review in ENCOMIA: Bibliographical Bulletin of the International Courtly Literature Society 28 (2006) 

Review in Heliotropa: An online journal of research to Boccacio scholars Volume 7, issue 1, article 10 (2010)

The Undivine Comedy: Detheologizing Dante. Princeton: Princeton University Press, 1992.  Pp.356.

One of The Guardian's Top Ten Books for Dante Lovers...

La Commedia senza Dio: Dante e la creazione di una realtà virtuale. Translation of The Undivine Comedy. Trans. Roberta Antognini. Milano: Feltrinelli, 2003. Pp. 381. 

Read the preface.

Dante’s Poets: Textuality and Truth in the Comedy. Princeton: Princeton University Press, 1984. Pp.xiv+312.

Winner of the Marraro Prize and the John Nicholas Brown Prize.

Antonio Barolini, Cronistoria di un'anima. Atti dei Convegni di New York e di Vicenza. A cura di Teodolinda Barolini. Firenze, Società Editrice Fiorentina, 2015. Pp. 335. €24.00

Petrarch and the Textual Origins of Interpretation.  Eds. Teodolinda Barolini and H. Wayne Storey.  Columbia Studies in the Classical Tradition, 31.  Leiden: Brill, 2007. Pp. xi+267.

Dante for the New Millennium.  Eds. Teodolinda Barolini and H. Wayne Storey.  New York: Fordham University Press, 2003.  Pp. xxiii+498.

Aristotle’s Mezzo, Courtly Misura, and Dante’s Canzone Le dolci rime (2014)

Contemporaries Who Found Heterodoxy in Dante (2014)

Dante’s Sympathy for the Other, or the Non-Stereotyping Imagination: Sexual and Racialized Others in the Commedia (orig. 2011, pub. 2014 with color images)

The Case of the Lost Original Ending of Dante’s Vita Nuova: More Notes toward a Critical Philology (2014)

Toward a Dantean Theology of Eros: From Dante’s Lyrics to the Paradiso (2013)

The Marquis of Saluzzo, or the Griselda Story Before It Was Hijacked: Calculating Matrimonial Odds in Decameron 10.10 (2013)

Dante's Tenzone with  Dante da Maiano (2013)

Dante and Reality (2013)

Sociology of the Brigata (2012)

Dante’s Sympathy for the Other (2011)

Time of His Life: Petrarch’s Marginalia and Rvf 23 (2010)

The Essential Boccaccio (2010)

The Self in the Labyrinth of Time: Rerum vulgarium fragmenta (2009)

Barolini Self in the Labyrinth endnotes

Petrarch as the Metaphysical Poet Who Is Not Dante: Metaphysical Markers at the Beginning of the Rvf (2009)

Only Historicize: History, Material Culture (Food, Clothes, Books) and the Future of Dante Studies (2009)

Historicism, Philology, and the Text (2008)

Petrarch at the Crossroads of Hemenutics and Philology: Editorial Lapses, Narrative Impositions, and Wilkins’ Doctrine of the Nine Forms of the Rvf (2007)

Dante Alighieri, Women and Gender in Medieval Europe (2006)

Italian Literature, Women and Gender in Medieval Europe (2006)

Sotto benda: The Women of Dante’s Canzone Doglia mi reca in the Light of Cecco d’Ascoli (2005)

Editing Dante’s Rime and Italian Cultural History (2004, rpt. Dante and the Origins)

Dante and Francesca di Rimini: Realpolitik, Romance, Gender (2000, rpt. Dante and the Origins)

Medieval Multiculturalism and Dante's Theology of Hell (2000, rpt. Dante and the Origins)

Ulysses, Dante Encyclopedia (2000)

Francesca da Rimini, Dante Encyclopedia (2000)

Hell, Dante Encyclopedia (2000)

Dante and Cavalcanti (1998, rpt. Dante and the Origins)

Guittone’s Ora parrà, Dante’s Doglia mi reca, and the Commedia’s Anatomy of Desire (1997, rpt. Dante and the Origins)

Minos’ Tail: The Labor of Devising Hell (1996, rpt. Dante and the Origins)

Forging Anti-Narrative in the Vita Nuova (1994, rpt. Dante and the Origins)

Dante and the Lyric Past (1993, rpt. Dante and the Origins)

Le parole son femmine e i fatti son maschi: Toward a Sexual Poetics of the Decameron (1993, rpt. Dante and the Origins)

Does Dante Hope for Vergil’s Salvation? (1990, rpt. Dante and the Origins)

The Making of a Lyric Sequence: Time and Narrative in Petrarch’s Rvf (1989, rpt. Dante and the Origins)

Dante’s Heaven of the Sun as a Meditation on Narrative (1988, became chapter 9 of The Undivine Comedy)

Re-Presenting What God Presented: The Arachnean Art of the Terrace of Pride (1987, became chapter 6 of The Undivine Comedy)

Arachne, Argus, and St. John: Transgressive Art in Dante and Ovid (1987; rpt. Dante and the Origins)

The Wheel of the Decameron (1983; rpt. Dante and the Origins)

Bertran de Born and Sordello: The Poetry of Politics in Dante’s Comedy (1979; became chapter of Dante’s Poets)